Long-time readers of rabble will know we love to draw attention to Dublin’s architecture and great architects past and present. Therefore, when we found out that the IFI were running an event called Dublin Plays Itself alongside the Irish Architecture Foundation, we were definitely interested. Patrick McCusker caught up with Sunniva O’Flynn, one of the tour guides, to find out more.
There were splashes in the media last year about harm reduction advice being dispensed at Electric Picnic for the first time. Lazy hacks ushered a sigh of relief – here was a new element to add to well worn column inch filling codology about bog roll and fashionable wellies. Rashers Tierney looks at the need to encourage safer sessioning at festivals and chats to some pioneers in the field out foreign.
Three Irish women made their way to an abortion clinic in London to hear firsthand from staff what it’s like there.
Bob Quinn is a filmmaker based in Connemara whose 1975 film Caoineadh Airt Uí Laoghaire tells the story of a film shoot in a Gaeltacht where the actors rebel against their director. The original suggestion and support for making the film came from Eamonn Smullen, who was Director of Education, Sinn Féin The Workers Party.
Upon release, it was greeted as “the first completely native-produced movie that seems capable of holding its own with the best of the world’s new cinema.”.
After a long period during which the negative was feared lost, it was recovered and restored in 2010. Rabble caught up with Bob Quinn to talk about it.
The banners represent key moments of change in history, from the evolution of the Women’s Workers Union in 1911 to recent responses to Brexit. They portray changing issues throughout Ireland and the UK including our present moments of Repeal the Eighth and wars in regions such as Palestine.
Listening to Marian Finucane interviewing anyone on a Sunday morning can be a slog but sometimes she makes a comment that sheds light on the modus operandi of the national broadcaster. Her “from both sides” comment when interviewing Katie Ascough last November got Sean Finnan thinking about RTÉ’s juggling act when it comes to balance.
Sat here, farting out the fifteenth editorial of rabble, we’re again confronted by a shambolic media, both AT home and abroad. News of the hacking scandal at Independent News and Media is filtering in, with numerous journalists and their sources compromised. Then we are confronted with the news of millions of Facebook profiles having their data appropriated by Cambridge Analytica to build a a profile of potential voters and how … Read More
Above: A still of Seán and an iconic United Irishman cover. Check out the trailer for the documentary which is being premiered on Tuesday May 15th in the Sugar Club. Tickets available here. Seán Garland is one of the giants of Irish republicanism. As a young man he bore the slain body of the mythologized Sean South after the Brookeborough raid during the Border Campaign. He led a life that put … Read More
Above: A photo of the protesters outside the Book of Kells from Trinity SU’s Twitter page. Followthem for more. Last week TCD students blocked access to Trinity via the Front Gate and prevented tourists from viewing the book of Kells. In the last few hours, they have moved on (with the support of the SU) to blocking the entrances to the college and have began occupying the dining hall. … Read More
Kabosh is a company on a mission to challenge the very notion of what theatre is. Their latest play Lives in Translation sold out the Belfast Festival in 2017 and is back for another run. It hones in on the survival instinct of one woman as she navigates conflict and gets stuck in the suffocating bureaucratic purgatory of the asylum process. Rosemary Jenkinson shared some thoughts about the production … Read More