Humble Serpent is a new record label launched at possibly the worst time you could pick to launch a record label. Sean Finnan caught up with one of the founders, vinny dermody, a 17 year veteran of Ireland’s independent scene with The Jimmy Cake to find out what kind of a contrary bastard starts a label at a time like this.
Above: Top work from illustrator Skagbag. Check out his Instagram for more. Saoirse McHugh argues the Irish government is allowing us to freewheel off a dangerous slope of heart disease and climate destruction. Here she takes a look at how the Irish Farmers Organisation has us by the cajoles and how we are falling behind on our environmental commitments. The climate change performance index published its findings last November. Ireland … Read More
Aoife Davis chats to Ciaran Nugent, Power FM broadcaster, DJ and flyer collector about his experiences with clubbing in Dublin and his ongoing research around club flyers. Providing her with a glimpse into a pivotal moment in Ireland’s recent past told through the medium of flyers, posters, goodie bags and teaser packs.
Rashers Tierney talks to Seamus Bradley about a novel model of food supply that cuts out the big box retailers and puts a group of people and a local farmer into a mutually beneficial relationship.
The only indicator it was ever a cinema are its steeped motifs and the fading letters RIALT above the boarded windows and “SOLD” sign advertising its potential to investors. The “O” not being replaced is the final indignity for such a once-proud building. Even now, in its state of ruin, it looks utterly alien amidst a row of terraced redbrick houses, takeaways and phone repair shops. What must it have looked like when it opened on the 5th of November 1936 to great fanfare and the billing of “Dublin’s Suburban Super Cinema”?
A woman kneels on a bed, as onlookers observe. Her face is twisted, she emits a guttural bellowing, grunts, thumps herself and spouts expletive-riddled abuse. Primal Screaming doesn’t look like much of a buzz but Caitriona Devery decided to take a plunge into the strange anyway.
Terry Dunne takes us back to look at the riotous popular culture behind the façade of Georgian Ireland and at how resistance was shaped by borrowing from festive life, folklore and recreation.
This was not the first time barricades had dotted Parisian streets, but what was different about 1968 was the immediate international coverage of events. To students elsewhere, it showed the way. In Dublin, the ‘Internationalists’ of Trinity College Dublin, a small Maoist student body with influence beyond their numbers, disrupted the visit to the university by King Baudouin of Belgium.