Humble Serpent is a new record label launched at possibly the worst time you could pick to launch a record label. Sean Finnan caught up with one of the founders, vinny dermody, a 17 year veteran of Ireland’s independent scene with The Jimmy Cake to find out what kind of a contrary bastard starts a label at a time like this.
Aoife Davis chats to Ciaran Nugent, Power FM broadcaster, DJ and flyer collector about his experiences with clubbing in Dublin and his ongoing research around club flyers. Providing her with a glimpse into a pivotal moment in Ireland’s recent past told through the medium of flyers, posters, goodie bags and teaser packs.
The only indicator it was ever a cinema are its steeped motifs and the fading letters RIALT above the boarded windows and “SOLD” sign advertising its potential to investors. The “O” not being replaced is the final indignity for such a once-proud building. Even now, in its state of ruin, it looks utterly alien amidst a row of terraced redbrick houses, takeaways and phone repair shops. What must it have looked like when it opened on the 5th of November 1936 to great fanfare and the billing of “Dublin’s Suburban Super Cinema”?
A woman kneels on a bed, as onlookers observe. Her face is twisted, she emits a guttural bellowing, grunts, thumps herself and spouts expletive-riddled abuse. Primal Screaming doesn’t look like much of a buzz but Caitriona Devery decided to take a plunge into the strange anyway.
Terry Dunne takes us back to look at the riotous popular culture behind the façade of Georgian Ireland and at how resistance was shaped by borrowing from festive life, folklore and recreation.
This was not the first time barricades had dotted Parisian streets, but what was different about 1968 was the immediate international coverage of events. To students elsewhere, it showed the way. In Dublin, the ‘Internationalists’ of Trinity College Dublin, a small Maoist student body with influence beyond their numbers, disrupted the visit to the university by King Baudouin of Belgium.
The experience of the Italian Communist Party has much to teach us, and we are of course very proud of that heritage, dating back to the resistance, but at the same time our world is now very different, and we must find our own responses to the problems of today.
The concept of public service broadcasting isn’t really a coherent blueprint for broadcasting practice. Rather is a rather vague concept based on a particular set of institutional arrangements and a particular coalition of class interests. In practical terms what it has meant is that the public interest has been defined largely by people drawn from the upper middle classes who operate in a subordinate relationship to the state.
Long-time readers of rabble will know we love to draw attention to Dublin’s architecture and great architects past and present. Therefore, when we found out that the IFI were running an event called Dublin Plays Itself alongside the Irish Architecture Foundation, we were definitely interested. Patrick McCusker caught up with Sunniva O’Flynn, one of the tour guides, to find out more.