Long-time readers of rabble will know we love to draw attention to Dublin’s architecture and great architects past and present. Therefore, when we found out that the IFI were running an event called Dublin Plays Itself alongside the Irish Architecture Foundation, we were definitely interested. Patrick McCusker caught up with Sunniva O’Flynn, one of the tour guides, to find out more.
The banners represent key moments of change in history, from the evolution of the Women’s Workers Union in 1911 to recent responses to Brexit. They portray changing issues throughout Ireland and the UK including our present moments of Repeal the Eighth and wars in regions such as Palestine.
Above: A still of Seán and an iconic United Irishman cover. Check out the trailer for the documentary which is being premiered on Tuesday May 15th in the Sugar Club. Tickets available here. Seán Garland is one of the giants of Irish republicanism. As a young man he bore the slain body of the mythologized Sean South after the Brookeborough raid during the Border Campaign. He led a life that put … Read More
Kabosh is a company on a mission to challenge the very notion of what theatre is. Their latest play Lives in Translation sold out the Belfast Festival in 2017 and is back for another run. It hones in on the survival instinct of one woman as she navigates conflict and gets stuck in the suffocating bureaucratic purgatory of the asylum process. Rosemary Jenkinson shared some thoughts about the production … Read More
Bristling with political resonances, Jesse Jones picks apart hidden histories of dissent and resistance. Her installation Tremble Tremble, represented Ireland at this year’s Art Olympics, the Venice Biennale. It features iconic theatre artist Olwen Fouéré and was inspired by research into witches and other feminist histories that are still relevant to contemporary Ireland. Caitriona Devery caught up with her to chat about art and politics.
The premise of Grace Dyas’ new play We Don’t Know What’s Buried Here is simple. Two Magalene ghosts hear about Tuam on the radio and literally go about unearthing the dark secrets of Irish society. If you missed its original run, you’re in luck as a few more dates have been announced. Patrick McCusker finds out more.
Ever heard of Grace Dyas? You should have. Her recent production Not At Home won Best Production at last year’s Dublin Fringe Festival – and could soon be coming to a town near you. Patrick McCusker caught up with Grace yesterday to find out more and hear about their fundraising campaign to take it on the road.
Above: A sticker in Dublin highlighting the contemporary HIV epidemic and our centre spread featuring a graphic by Will St Leger. It’s become a bit of rabble tradition to use the middle of our little parish newsletter for the disgruntled to showcase a particular artist we admire. When discussing ideas for #rabble14, we were stunned with statistics about HIV today. Hence, bringing Will St Leger in as our centrespreadista with … Read More
Waiting for the 109 at Busáras to Navan or Cavan or whatever part of the shticks you’re off to, you probably don’t think, “what a fine building this is”. Doubly so if you frequent the post-apocalyptic stainless-steel-clad bathrooms. But perhaps you should. Caitríona Devery spoke to artist Gavin Murphy who has researched the place for an exhibition called Double Movement in Temple Bar Gallery & Studios. Busáras is a … Read More
A Playful City is a collaborative project aiming to create inclusive, child-friendly, and playful spaces in Dublin City. Coordinated by co-creation wizards Connect the Dots with sustainable play heads Upon a Tree (they met on north inner city temporary park project, Granby Park), the project is part consultation, part conference / hackaton and part urban intervention. The goal is putting people and play back into the urban landscape. Caitriona … Read More
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