Above: Ian Hunter captures Smithfield Square over on Flickr. With plans well underway for yet another cultural qwartter in Parnell Square, Kerry Guinan warns us to be sceptical of Dublin city council’s love in with vulture fund Kennedy Wilson after the “culture” evaporated from Temple Bar and Smithfield Square quicker than the steam of piss behind the Hard Rock Cafe on Fleet Street. Past initiatives warn us that culture-led development in … Read More
Joy Gerrard is an Irish artist based in London. Her recent work depicts protests in cities, expressionistic crowds spilling and surging within static architectural frames. She takes mundane and iconic images from newspapers and the internet, and turns them into ink paintings of different sizes. The act of reproducing these images draws attention to the spectator as witness and asks whether media coverage is ever neutral. Caitríona Devery spoke with … Read More
Last year playwright Alan O’Brien won the PJ O’Connor Award for Best New Radio Drama with Snow Falls and So Do We. rabble sent Sean Finnan along to chat to Alan about the play and why he refused RTÉ permission to broadcast the drama. So I guess to start with, what’s the play about? It was inspired by the death of Rachel Peavoy. When that happened I was amongst many … Read More
I don’t really know enough about the contemporary aspirations of planning culture now to comment. But if you look at Milton Keynes in the UK as a prime example of 60’s utopianism, its history is hilarious. I got given a tour about 10 years ago, when I was looking to do a project there. Its original planners were entrenched in new-age ideology. They even sited its main artery, Midsummer Boulevard, on the axis of the summer solstice sunrise.
Radicalism and reinvention are two prevalent themes running through programming for A Fair Land. Cultural and artistic activism were predominant in the creation of the political movement for 1916 and it was this gathering of energy, ambition, ideology and activism which A Fair Land sought to emulate, orientating the project towards a future vision moving forward in 2016.
I think my work is politically charged at times. I am quite ambivalent to the conventional roles ascribed by society to gender. In particular, in our own constitution, the language that enshrines women for example to situations of compromise, for example article 41.2 which prioritises a woman’s domestic role over her career and 40.3.3 which ensures women are not given full their reproductive choices.
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