When we start putting together an issue we never know where it’s going, this one started off with murmurs about looking at the poxy manner in which the state constantly transfers public wealth into the coffers of private landlords, then took on anti-social behaviour, landed some digs at the national broadcaster, examined policing in working-class areas, got fed up with late night transport and lots of other random bits in between.
In rabble#1 we explored the theme of internships and how the Irish unions were responding to them. Here’s the full transcript of our interview with John Douglas, head of Mandate. So, John – what are your own views on the emergence of this whole Job Bridge thing? I suppose my own view is that in terms of those sort of jobs, they would be bordering on displacing people from employment. … Read More
A dreary Dublin day on O’Connell Street is never an extraordinary thing: the grey colour of slightly run down buildings, bustling people, a walkway peppered with Jim Larkin, the Virgin Mary, O’Connell, and the odd bit of greenery. Conor Tobin tries to find some meaning in the gigantic metal spike that defiantly rises above them all. No, it is not an antenna, not some steel pylon that you imagined to be … Read More
Ryan Gosling revisits the character of monosyllabic, simpleton Lars, now transported from the American Midwest to Los Angeles where he has a job as stunt driver/get away driver and a mechanic. He no longer needs to purchase female companionship from the internet, now he just needs to stare at ladies in elevators and ingeniously bribe their offspring with toothpicks to have them forgetting their wedding vows. Drive is a film … Read More
Here’s a fly-on-the-wall documentary about a major American newspaper trying to find its feet in the digital age. Over the course of a year, Andrew Rossi filmed in the offices of the New York Times; gaining unprecedented access to its daily workings and capturing it at a unique juncture where dailies played a grim race to see who went under first. Season 5 of The Wire constantly springs to mind: it’s a lot of quick talking guys chewing the cud on the ethics of journalism and avoiding redundancy offers.
Our first issue contained an interview with one of the heads behind NAMAlab: here’s the whole transcript. Firstly, I was going to ask you how NamaLAB was set up and how a whole year of DIT students were dragged into tracking how NAMA is affecting the city? Well it was initiated by our year heads in the Dublin school of Architecture. This year we entered our final year and there … Read More
Well, not directly, but I ordered its death. Actually, my interpreter did. I’m like the Pol Pot in this equation; not murdering anyone myself but sending the orders down the ranks to do it. Joey McClatchie comes to terms with her meat habit. I am the distanced dictator, the mafia bigwig, the subcontracting corporation. I went to the local market (no Tesco here! Am in smalltown India) where there is a … Read More
Now in its ninth year, the ‘Hard Working Class Heroes’ festival (HWCH) hit venues across Dublin in early October. HWCH has become an integral part of the Irish music calendar as it continues to showcase much of Ireland’s best and brightest emerging musical talents. Year on year the standard of artists, musicians and bands seems to improve ever greater, and the 2011 vintage was no different. Barry Healy was rabble’s eyes and ears at this year’s festival, here a few acts to keep your eyes peeled for.
A few weeks ago, rabble hooked up one of our contributors with a dodgy recorder. He spent twenty minutes lurking around the edges of #occupydamestreet, catching vox pops with those passing by. In total our very own Paddy Gorman interviewed around 17 people. They ranged from the homeless, to students, day-shopper culchies, old school Dubs, local business people and even an Egyptian that was in Tahir square. Have a listen … Read More
Dublin reggae fans and all sound system heads, are in for a real treat over the next few weeks: the Reggae Movement exhibition is due in town. Curated by Ronan Lynch of Irie Up magazine, the show promises an illustrated journey into the history of sound system culture, not to mention the chance to get your wind on to some dancehall. James Redmond hears why the only good system is a sound system.