You might have noticed these harsh stickers appearing like a rash all over town. Shannon Duvall got to the centre of the epidemic for us.
Currently on show in the Droichead Arts Centre is an exhibition of original artworks by Gee Vaucher. Most well known for her covers and record sleeve designs for the band Crass and it’s associated label Crass Records. Thomas McCarthy legs it down memory road.
In regards to the household charges currently being introduced, there are a lot of people out there who feel it’s not their problem or duty to take on board such a great responsibility and burden at this time. I say to you, Ireland is at a crossroads and only some of us can afford the car. I’ve been hearing a lot of the Taoiseach and so-called ‘contradictory statements’ made regarding the people of this country. And I ask ‘what contradiction’?
At the end of January, the newly minted Unlock NAMA campaign opened up a property on Great Strand Street with a series of talks on the secretive agency that’s mortgaging away our futures. Rashers Tierney caught up with two of the trouble makers involved.
Post ‘Celtic Tiger’ Ireland has more than its fair share of challenges. One being the endless amount of vacant space across the state. The Phibsboro Karate Club provides one possible solution. Barry Healy caught up with one of the projects founders, Eric, to find out more.
Too often young people’s behaviour is rubber-stamped by the media and local authorities as ‘anti-social’. Redmonk talks to a bunch of teenagers in Blanchardstown and finds that they are struggling with the internalisation of their own demonisation. By being force-fed the phrase ‘anti-social behaviour’ they now believe this phrase exclusively applies to youth.
In current times where most people don’t arrive at a club until 12.30/1am, it does very little to nurture any type of club culture or community. Most clubs operate a very strict cut-off time of 2.30 for music, so if you add it all up, it’s a pitiful situation.
Orla Murphy, the ex-manager of Shebeen Chic and some of its workers tell Rashers Tierney a traditional tale of evictions, pub lock-ins and usurper landlords.
Drums beat deeply all around me as people congregate for The Spectacle of Defiance and Hope. Face-painted and costume-clad performers run through carefully crafted renditions, eager children hold large replica tombstones above their heads bearing the names of the community projects they are defending. Julian Brophy reports from The Spectacle of Defiance.
Shot over the course of a year, this film has interviews with the most important Dublin skaters of the last two decades as well as previously unseen old home videos. To hear more about the background of the film, Jay Carax caught up with the producer Dave Leahy.