Humble Serpent is a new record label launched at possibly the worst time you could pick to launch a record label. Sean Finnan caught up with one of the founders, vinny dermody, a 17 year veteran of Ireland’s independent scene with The Jimmy Cake to find out what kind of a contrary bastard starts a label at a time like this.
Aoife Davis chats to Ciaran Nugent, Power FM broadcaster, DJ and flyer collector about his experiences with clubbing in Dublin and his ongoing research around club flyers. Providing her with a glimpse into a pivotal moment in Ireland’s recent past told through the medium of flyers, posters, goodie bags and teaser packs.
Long-time readers of rabble will know we love to draw attention to Dublin’s architecture and great architects past and present. Therefore, when we found out that the IFI were running an event called Dublin Plays Itself alongside the Irish Architecture Foundation, we were definitely interested. Patrick McCusker caught up with Sunniva O’Flynn, one of the tour guides, to find out more.
The banners represent key moments of change in history, from the evolution of the Women’s Workers Union in 1911 to recent responses to Brexit. They portray changing issues throughout Ireland and the UK including our present moments of Repeal the Eighth and wars in regions such as Palestine.
They say the past is another country, but in the case of Ireland – it’s probably more like a parallel fecking looniverse. Rashers Tierney caught up with John Byrne to talk about the strange land that gave birth to the utterly fantastic Quare Groove compilation.
Misneach was set up back in the sixties by socialist-republican Gaeilgeoir and modernist author Máirtín Ó Cadhain. It’s recently been revived by a group of Irish-language activists with a fiercely anti-capitalist bent. Tomás Lynch caught up with Misneach member Seanán Mac Aoidh to talk about the ructions over the Irish language Act in the North and all things Gaeilge.
Above: A still of Seán and an iconic United Irishman cover. Check out the trailer for the documentary which is being premiered on Tuesday May 15th in the Sugar Club. Tickets available here. Seán Garland is one of the giants of Irish republicanism. As a young man he bore the slain body of the mythologized Sean South after the Brookeborough raid during the Border Campaign. He led a life that put … Read More
Kabosh is a company on a mission to challenge the very notion of what theatre is. Their latest play Lives in Translation sold out the Belfast Festival in 2017 and is back for another run. It hones in on the survival instinct of one woman as she navigates conflict and gets stuck in the suffocating bureaucratic purgatory of the asylum process. Rosemary Jenkinson shared some thoughts about the production … Read More
Bristling with political resonances, Jesse Jones picks apart hidden histories of dissent and resistance. Her installation Tremble Tremble, represented Ireland at this year’s Art Olympics, the Venice Biennale. It features iconic theatre artist Olwen Fouéré and was inspired by research into witches and other feminist histories that are still relevant to contemporary Ireland. Caitriona Devery caught up with her to chat about art and politics.
The premise of Grace Dyas’ new play We Don’t Know What’s Buried Here is simple. Two Magalene ghosts hear about Tuam on the radio and literally go about unearthing the dark secrets of Irish society. If you missed its original run, you’re in luck as a few more dates have been announced. Patrick McCusker finds out more.
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