Ever heard of Grace Dyas? You should have. Her recent production Not At Home won Best Production at last year’s Dublin Fringe Festival – and could soon be coming to a town near you. Patrick McCusker caught up with Grace yesterday to find out more and hear about their fundraising campaign to take it on the road.
Art As Activism.
Above: A sticker in Dublin highlighting the contemporary HIV epidemic and our centre spread featuring a graphic by Will St Leger. It’s become a bit of rabble tradition to use the middle of our little parish newsletter for the disgruntled to showcase a particular artist we admire. When discussing ideas for #rabble14, we were stunned with statistics about HIV today. Hence, bringing Will St Leger in as our centrespreadista with … Read More
Buzzin For Busáras.
Waiting for the 109 at Busáras to Navan or Cavan or whatever part of the shticks you’re off to, you probably don’t think, “what a fine building this is”. Doubly so if you frequent the post-apocalyptic stainless-steel-clad bathrooms. But perhaps you should. Caitríona Devery spoke to artist Gavin Murphy who has researched the place for an exhibition called Double Movement in Temple Bar Gallery & Studios. Busáras is a … Read More
Come Out And Play.
A Playful City is a collaborative project aiming to create inclusive, child-friendly, and playful spaces in Dublin City. Coordinated by co-creation wizards Connect the Dots with sustainable play heads Upon a Tree (they met on north inner city temporary park project, Granby Park), the project is part consultation, part conference / hackaton and part urban intervention. The goal is putting people and play back into the urban landscape. Caitriona … Read More
Above: Ian Hunter captures Smithfield Square over on Flickr. With plans well underway for yet another cultural qwartter in Parnell Square, Kerry Guinan warns us to be sceptical of Dublin city council’s love in with vulture fund Kennedy Wilson after the “culture” evaporated from Temple Bar and Smithfield Square quicker than the steam of piss behind the Hard Rock Cafe on Fleet Street. Past initiatives warn us that culture-led development in … Read More
The Protesting Crowd.
Joy Gerrard is an Irish artist based in London. Her recent work depicts protests in cities, expressionistic crowds spilling and surging within static architectural frames. She takes mundane and iconic images from newspapers and the internet, and turns them into ink paintings of different sizes. The act of reproducing these images draws attention to the spectator as witness and asks whether media coverage is ever neutral. Caitríona Devery spoke with … Read More
Left In the Cold.
Last year playwright Alan O’Brien won the PJ O’Connor Award for Best New Radio Drama with Snow Falls and So Do We. rabble sent Sean Finnan along to chat to Alan about the play and why he refused RTÉ permission to broadcast the drama. So I guess to start with, what’s the play about? It was inspired by the death of Rachel Peavoy. When that happened I was amongst many … Read More
The Rhymes Of History.
I don’t really know enough about the contemporary aspirations of planning culture now to comment. But if you look at Milton Keynes in the UK as a prime example of 60’s utopianism, its history is hilarious. I got given a tour about 10 years ago, when I was looking to do a project there. Its original planners were entrenched in new-age ideology. They even sited its main artery, Midsummer Boulevard, on the axis of the summer solstice sunrise.
This Land Is…
Radicalism and reinvention are two prevalent themes running through programming for A Fair Land. Cultural and artistic activism were predominant in the creation of the political movement for 1916 and it was this gathering of energy, ambition, ideology and activism which A Fair Land sought to emulate, orientating the project towards a future vision moving forward in 2016.
Vacuuming in an Uncanny Vacuum
I think my work is politically charged at times. I am quite ambivalent to the conventional roles ascribed by society to gender. In particular, in our own constitution, the language that enshrines women for example to situations of compromise, for example article 41.2 which prioritises a woman’s domestic role over her career and 40.3.3 which ensures women are not given full their reproductive choices.
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